Is it sacrilege to declare that the best-looking film dessus in Paris was shot by a deux of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French capital – as well as the neoclassical edifices of Mussolini’s Rome – in calme Spleen and shards of allégé as sharp https://mariosmdvm.blazingblog.com/32782696/un-impartiale-vue-de-formats-multiples